ViewRoski School of Art Extension
A concrete box cut open at the corner of McClintock and Jefferson; a zig-zag corten stair climbs the void to a glass storey of studios, and the ground floor is given back to the street.
ArchitectureEducation2021
ViewA concrete box cut open at the corner of McClintock and Jefferson; a zig-zag corten stair climbs the void to a glass storey of studios, and the ground floor is given back to the street.
ArchitectureEducation2021
ViewEight timber floors at Main, Alameda and Ord, each plate sailing past the one below; a market and a garden at the foot, sleeping pods, offices and an exhibition floor above.
ArchitectureCivic2022
ViewTaylor Yard redrawn so that everything is five minutes away: canals cut in from the river with timber locks, a deck over the rail cut, a footbridge, and the towers rising behind the bungalow courts.
ArchitectureUrbanism2022
ViewA concrete box cut open at the corner of McClintock and Jefferson; a zig-zag corten stair climbs the void to a glass storey of studios, and the ground floor is given back to the street.
ArchitectureEducation2021
ViewEight timber floors at Main, Alameda and Ord, each plate sailing past the one below; a market and a garden at the foot, sleeping pods, offices and an exhibition floor above.
ArchitectureCivic2022
ViewTaylor Yard redrawn so that everything is five minutes away: canals cut in from the river with timber locks, a deck over the rail cut, a footbridge, and the towers rising behind the bungalow courts.
ArchitectureUrbanism2022
ViewA health resort that steps down a forested spur to Pavana Lake: basalt walls with pointed arches, three round therapy drums and a stone rotunda for yoga, a long guest block above the water, and a black pool held out over the lake on bronze struts.
ArchitectureWellness2018
ViewPackaging film, the material every delivery arrives in and nobody looks at, stretched over a bare frame as the canvas. Three knife-laid cobalt bars cross it: a window made of waste.
ArtPanel2024
ViewOne real cigarette, never lit, at the centre of a field of looping red-oxide paint. Every loop circles back to it. Hung on the fences where people step out to smoke.
ArtStreet2024
ViewEvery card cut but one, pressed into black laid on with a knife until it stands in ridges. The gold card stays whole at the centre, still carrying a name.
ArtStreet2024
ViewA nine-foot canvas of sponge-stamped black: an arc of squares sweeping across the bare ground, blocks and bars set around it like a plan seen from above.
ArtCanvas2026
ViewA black square built thick on sponge at the centre of bare canvas, and the brush that made it left pushed into the paint, its handle standing out as if the hand had just let go.
ArtCanvas2026
ViewTwo canvases, each painted only partway across. Brass picture hooks are pressed into horizontal bands of brown, and black pins are driven into vertical ridges of pink. The bare halves face each other.
ArtDiptych2026
ViewA shallow tray carved from a single block of green marble, a 12 mm rim around an 8 mm floor.
ObjectsBath2026
ViewA four-inch cube of green marble with two deep wells, for brushes and paste.
ObjectsBath2026
ViewTwo plum marble slabs leaned into an A, with the same slot cut down through the ridge in each; the tissue rises through it.
ObjectsBath2026
ViewA teak bar with a full-length V, and a marble cube resting in it on one edge to hold the stick.
ObjectsHome2026
ViewA low block of plum marble with one sawn slot, four millimetres wide.
ObjectsDesk2026
ViewA J cut from 18 mm milk white marble, its plate leaning forward at the top, fixed with two screws.
ObjectsWall2026
ViewSquare marble coasters, made in two packs, standing in milk white marble holders with an upstand at each end.
ObjectsDining2026
ViewA quartz slab that slides into grooves in two teak handles; nothing glued, nothing fixed.
ObjectsDining2026
ViewA pair of quartz boards, eighteen by twelve and sixteen by seven, with handle slots cut through.
ObjectsKitchen2026
ViewA square basket of mitred marble whose rim falls from nine inches at the back to five at the front.
ObjectsKitchen2026
ViewA tall milk white column with one corner cut back through its middle, so stems grow out of the side.
ObjectsPlanter2026
ViewA green marble pot that narrows from six inches at the top to four and a half at the base, with a V cut at the rim.
ObjectsPlanter2026
ViewA pair of floor lamps: hollow shafts of plain honey onyx, 45 inches tall, lit from within, on teak bases.
ObjectsLighting2026
ViewA low cabinet whose two doors are faced in fifteen rows of thin mahogany strips, each with a shadow gap.
ObjectsStorage2026
ViewSix feet of black marble coming straight out of the wall, its underside rising to a knife edge at the free end. No legs.
ObjectsDining2023
ViewA teak chair in black velvet, made for the cantilever table; the raked back stiles land on a diagonal brace.
ObjectsSeating2023
ViewA square top of very dark Leather Bronze Armani marble; one slope runs from its edge to the floor, marble first, then black legs to a square ring.
ObjectsLiving2026
ViewA plinth and upright of plum marble, the screen laid on the upright edge to edge.
ObjectsBedroom2026
ViewA very dark Leather Bronze Armani marble box, closed at the top, open below and lined in walnut.
ObjectsBedroom2026
ViewThree blocks of milk white marble, each set on a walnut foot drawn back so it floats.
ObjectsLiving2026
ViewA washbasin cut as one box of honey onyx and lit from inside, so the whole piece glows.
ObjectsBath2026
ViewSlabs of leathered black slate stood one behind another: a single slab from the front, slab, gap, slab from the side.
ObjectsBath2026
ViewA deep timber box in the ceiling, closed below by fluted glass over an opal diffuser.
ObjectsLighting2026
ViewA plum marble cabinet held off the floor, under a long strip of green marble set in walnut.
ObjectsHome2026
ViewTwo walnut drawer towers with black marble tops, and a marble seat between them.
ObjectsStorage2026
ViewA long marble top on a single keel: an upright face at one end, a narrow foot, then one long diagonal rising to meet the far end.
ObjectsDining2026